Every Street Has A Story · Jamal

Two Pound Forty

The electric went at 11:14 on a Tuesday night. Jamal had two pound forty in coins, and the only shop still open was the one he’d spent a fortnight avoiding.

Told by Zayden

Unspoken question What if I’d rather sit in the dark than let one person see how little I’ve got?

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The electric went at 11:14 on a Tuesday night. Jamal knew the time because the clock on the cooker was the last thing to go.

First the fridge stopped humming, which you never notice until it’s gone and then the silence has a shape. Then the hallway light. Then the green numbers on the cooker blinked once, like they were sorry, and left him standing in his own kitchen in the dark with a tea bag in his hand and the kettle half full.

He’d heard the meter bleeping for three days. Emergency credit. He’d told himself Thursday. Thursday was payday. Thursday was close enough.

It wasn’t.

He found his phone, put the torch on, and counted what was on the side by the bread bin. A two-pound coin, worn smooth. A twenty. Two tens. Two pound forty. He counted it twice, like it might change if he looked at it properly, and it didn’t, because it never does.

The only top-up machine open after eleven was in Farah’s shop at the end of the parade.

And Jamal hadn’t been in Farah’s shop for fourteen days.


Here is the thing nobody tells you about getting better. It doesn’t mean the money comes back.

Six months ago, Samuel had knocked on his door and Jamal had said “I’m good,” and then, after the longest pause of his life, “No. I’m really not.” Since then he’d been back in his chair at the café most mornings. People knew him again. Somebody’s quiet? Jamal clocks it. Somebody’s stopped coming in? Jamal knocks. He’d become the one who notices, and he was good at it, and it felt like the first useful thing he’d been in years.

But the job was still agency hours that came and went. The rent had still gone up in April. And somewhere in the last month he’d started walking twenty minutes to the big supermarket by the station, in the rain, past Farah’s warm window, because Farah notices everything, and he couldn’t stand for her to notice what was in his basket now. Or what wasn’t.

You can’t be the man who knocks on doors and also be the door. That’s what he’d decided. Not out loud. Nobody decides these things out loud.

He put his jacket on over his hoodie and went out with two pound forty and the meter key in his pocket.


The parade at half eleven is a different country.

The bakery’s shutter was down, tagged with somebody’s name in silver. The chicken shop was pretending it was open till two, three lads in the doorway sharing one box of wings and a phone with the volume all the way up. The rain wasn’t heavy. It was the other kind, the kind that doesn’t fall so much as hang there and wait for you to walk into it. The pavement held every streetlight in it twice.

Farah’s was the last light on the parade. Shutter halfway down, the way she leaves it when she’s cashing up, so people know she’s still there but think twice.

Jamal stopped at the bus shelter across the road.

He could see her through the gap. She was sitting on the stool behind the counter. He’d never seen her sit. Three years of buying milk in there and he had never once seen Farah Begum off her feet. Reading glasses on, the ones on the chain she pretends she doesn’t need. A calculator. A small pile of envelopes with the windows in them. The radio on the shelf behind her, going quietly to nobody.

He stood in the shelter with his hand round the coins until they were warm.

He could go home. Sit in the dark till morning. People did. It was only a night. He had a torch on his phone and a jumper and a duvet, and by Thursday nobody would ever know.

What if I’d rather sit in the dark than let one person see how little I’ve got?

He didn’t think it in those words. He just felt it, in his chest, the way you feel a step that isn’t there. And he was still standing in the shelter when a bus came, and the driver opened the doors for him, and waited, and Jamal shook his head, and the doors sighed shut, and the bus left, and there was nothing between him and the light any more.

He ducked under the shutter.


The bell went. Farah didn’t get up off the stool. She looked at him over the glasses for a long second.

“Fourteen days,” she said. “I was about to put your face on the lamppost with the cats.”

“Been busy.”

“Mm.” She looked at his jacket, dark with wet at the shoulders. “Busy walking to the station and back, I heard.”

He laughed, because what else do you do. “Who told you that?”

“Nobody tells me anything, love. I just know everybody’s milk.” She took the glasses off and let them drop on the chain. “Semi-skimmed. The cheap one. Every other day for three years. Then nothing. I noticed your milk before I noticed it was you.”

He put the meter key on the counter. Then the coins, one at a time, the two-pound coin first so it would look like more.

“Two pound forty on that, please.”

She didn’t look at the coins. That was the first thing. She looked at him the whole time, slid the key into the machine, pressed the buttons without needing to see them, and the little printer chattered out a receipt like it was any other night. Like he was anybody.

“Electric?” she said.

“Went about ten minutes ago.”

“Fridge?”

“There’s nothing in it.”

He hadn’t meant to say that. It came out flat, the way true things do at half eleven. Farah nodded slowly, like he’d told her the time.

Then she did something he wasn’t expecting. She turned the calculator round on the counter so he could see the screen. A number with a minus in front of it.

“That’s this month,” she said. “That’s me. Eighteen years on this parade. Everybody in here thinks I’m the one with the money because I’m the one with the till.” She tapped the envelopes. “Quarter to eleven every night, I sit on this stool and I add it up. Same as you. Same as half the people who come through that door with their two pound forty. I know every one of them. I know their names, their kids’ names, what they buy when it’s a good week. And not one of them knows I sit down.”

Jamal looked at the stool. At her flat shoes. At the jar of 20p sweets that had been on that counter since he was a kid.

“Why are you telling me?”

“Because you’re the one who notices now,” Farah said. “Everybody says so. Samuel says so.” She handed him the key and the receipt together. “And I thought, he’s very good at seeing everybody else. Let’s see if he can stand being seen.”

He didn’t say anything clever. He couldn’t find anything.

“You don’t have to buy anything,” she said, standing, finally, pulling the pole for the shutter. “You just have to come in. I like to know who’s still here.”


He walked home slower than he’d walked there. The lads outside the chicken shop had gone. The rain had given up hanging and decided to fall. He let it.

In the hallway he pushed the key into the meter, and it beeped twice, and the light came on over his head so suddenly he had to shut his eyes. In the kitchen the fridge shuddered and started humming again, full of nothing, glad of the work. The cooker clock flashed 00:00, 00:00, 00:00, waiting for somebody to tell it what time it was.

He stood there a long time, letting it flash.

The Ripple

He went back in the next morning at ten past seven and bought a pint of semi-skimmed, the cheap one. He paid in coppers. He counted them out on the counter, face up, in front of the man waiting behind him with a paper, and he didn’t turn his body away to do it. Farah rang it through without looking at the coins.

He went back every other day after that. Thursday came, and he still went to Farah’s.

The week after, he was in the queue at quarter to eleven at night, and there was a young lad in front of him at the top-up machine. Nineteen, maybe. Work boots. He had his back angled to the shop the way Jamal knew from the inside, shoulders up round his ears, picking coins out of his palm one at a time where nobody could see. “One eighty on the gas,” he said, very quietly.

Jamal took out his own change. He tipped it onto the counter beside the lad’s, loud enough to hear, and started counting it in plain sight. Ten, twenty, forty, fifty. “Nearly payday, innit,” he said, to nobody in particular.

The lad looked round. Looked at Jamal’s little pile of coppers. And something in his shoulders came down. Not a lot. About an inch. Enough.

“Thursday,” the lad said.

“Thursday,” said Jamal.

Two days later, without saying a word to anyone, Farah moved the top-up machine. It used to sit in the middle of the counter, right where the queue could read the screen over your shoulder. Now it’s round the end, by the jar of 20p sweets, tucked into the corner where nobody behind you can see what you’re putting on, or how.

Nobody’s mentioned it. Nobody’s supposed to.

And some nights, if you walk past the parade at quarter to eleven, Farah’s shutter is halfway down and there are two people in there. One on the stool. One leaning on the counter with a cup of tea from the machine, telling her about his week, the real version, the one with the numbers in it.

He still notices everybody. He’s just stopped walking the long way round.

Questions I Ask Myself

Three to carry with you.

  1. What am I walking the long way round to avoid being seen?
  2. Who in my life knows how tight it has really got, and if the answer is nobody, what is that protecting?
  3. Where could I stop hiding my coins, so somebody next to me could stop hiding theirs?

Being skint is not a character flaw. But hiding it always costs extra: the twenty-minute walk in the rain, the night in the dark, the shop you stop going into, the people you stop letting close. The ones who notice everyone else are often the ones who have got best at not being noticed. You don’t have to tell anyone everything. Sometimes it’s enough to stop turning your back at the counter, and let one person see the coins.

Maybe this story was yours too.

The Estate

Every Street Has A Story.

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A reflection to keep

What am I walking the long way round to avoid being seen?

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Reflect on this story · Journalling · 10 min

The Honest Line

A journalling exercise for people who always say “I’m alright” — finding the first honest sentence, and one person to say it to.

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The next door

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